This six-flame candelabra is a prime example of Empire, a form of Classicism inextricably linked with the reign of Napoleon Bonaparte, who presided over his country as First Consul from 1799 to 1804 and as Emperor from 1804 to 1815. The association with Napoleon also explains the spread of this style throughout Europe, even in the countries he did not conquer. In addition to Greek and Roman Antiquity, the culture of Ancient Egypt is decisive for this style, which extends in particular to interior decoration and the arts and crafts.
One material deserves special attention in this context: fire-gilded brass. Its processing and treatment reached a peak during this period. Never before had brass work been so detailed, filigree and finely crafted. Various furnishings were made in this material, including not only candleholders like this one, but also chandeliers, small sculptures, clock cases, vessels and fittings.
This candlestick is striking for its combination of highly polished and matt surfaces, the fineness of its finish, especially for the arms of the candelabra, and the imaginative approach to the formal language of Antiquity. It stands on a square plinth with a cylindrical base, the surface of which is reminiscent of the facing of ancient masonry known as opus reticulatum. A fluted column rests on it, the capital of which does not bear an entablature but a wreath of fruit from which the arms, supported by acanthus leaves, seem to grow naturally.
Text: Alexander Röstel