Radios usually come in a sturdy casing to protect the unseen components inside. In contrast, the battery-operated Bag Radio is encased in a soft, transparent plastic (PVC) cover, allowing the inner workings of the transistor radio to be visible. This, coupled with the vibrant printed cover, creates an effect akin to a collage of assorted graphic elements. While sound quality may not have been the primary concern in its design, the radio compensates with remarkable versatility, offering the convenience of being hung on a wall or carried about. Additionally, the easy-to-open cover simplifies battery replacement and repairs.
The radio was designed by Daniel Weil, an architect, designer, and artist, whose work is deeply rooted in the art movements of the twentieth century, including surrealism. Following his architectural studies in Buenos Aires and a second degree at the Royal College of Art in London, he founded his own manufacturing company called Parenthesis. Under this label, he produced electronic items such as clocks and radios in limited editions, quickly earning him international acclaim. The Bag Radio launched in 1981, which now features in important design collections, gained widespread popularity and was even licensed for production in Japan.
The ADA collection contains twelve radios by Weil, including seven Bag Radios, all originating from the Anthologie Quartett company collection. The company founder and design publisher Rainer Krause recognized Weil’s talent early on. He marketed various items designed by Weil and organized a travelling exhibition of his work in 1984.
Text: Franziska Graßl, Inventory Recording
- Museum
- Archiv der Avantgarden
- Inventory number
- PD 1227